Last month, after years of resistance, I signed up to Instagram (you can follow me here if you like) and started playing around with Bookstagram. It’s been a pleasant experience and I guess for me has been closer to what blogging was like when I started – a community of bookworms discussing their favourite reads with people from around the world and picking through what they loved and hated about various books. With a little more focus on the images than a traditional blog, but the level of detail and analysis in the microblogging element has pleasantly surprised me.
At risk of digression into the world of Bookstagram (best talk about that another time) this is where I came across Girls of Paper and Fire (aff. link) by Natasha Ngan. Lots of people were posting pictures of copies they’d received in the run up to Christmas, the title was intriguing, the cover was cool, I was dealing with a teething baby… reader I treated myself and bought it.
Girls of Paper and Fire is set in a fantasy world, which seems to have been inspired by aspects of Imperial China. The society is made up of three castes, paper, steel and demon. The paper caste are humans without demon characteristics, the paper caste have aspects of both human and demon, and the demon caste have animal appearances and incredible strength. The are the elite caste, with paper at the bottom and steel somewhere between the two.
Lei is a human girl born to a paper family. Her mother was abducted during a demon raid on her village when she was a child, but otherwise she lives a quiet life in a rural backwater. But people come from miles around to her father’s shop because Lei has unusual eyes, eyes which are bright gold and look like they belong to a demon in her human body. It is these eyes that catch the attention of one of the Emperor’s soldiers, and lead to Lei being kidnapped to become one of his paper girls, a harem of concubines who are selected annually for the “privilege”.
Girls of Paper and Fire has been compared to Memoirs of A Geisha, but personally I found this to be a very lazy comparison. I thought it was more reminiscent of (af. link) Empress Orchid by Anchee Min with a girl trying to find her place as the Emperor’s concubine and the perilous, cruel world in which she lived (though maybe it was partly inspired by Journey to the West?). Even so, Girls of Paper and Fire is a more explicitly violent novel than either of these, and leaves the reader under no illusions about the reality of Lei’s life with the threat of violence constantly hanging over her. The trigger warning at the start of the book is both wise and necessary, especially in Young Adult fiction.
I didn’t think that the book was exceptionally well written, and found the writing a little jarring at first, though this either improved or became less noticeable as the book went on. Although Lei was the main character, I felt that her character was less well drawn than that of more minor paper girls and I didn’t feel that her thoughts and actions were always credibly linked. Despite this, I thought that the story was original and the concept was well executed, though I assume that Lei’s eyes are some how related to the Moon Goddess alluded to in the book who defeated the God of Knight. I’m guessing that this is a foreshadow of what will happen later in the series, but if so I would have liked to have learned more about what power or ability Lei has that makes her a girl of fire, otherwise Wren would be, for me, the girl of fire, the member of the paper girls who is different for being a Xi warrior. For all her bravery, Lei wasn’t exceptional as a character, but maybe that’s the point.
It seems almost obligatory to leave YA novels open for a sequel these days (Girls of Paper and Fire is the first part of a trilogy), but I did think that the ending of the novel was cleverly constructed to leave Lei and Wren breathing a sigh of relief, not appreciating that the word Flight in Lei’s birth blessing pendant may well be hinting that she will spend the rest of her life on the run from the Demon Bull King Emperor.